The scans you already have, or scans we make. Each one becomes a page a reader can open in the browser, from any library, on any device.
Transcription tuned for early type, anchored to the scan. Every line can be checked against the page and corrected in place.
Latin, Greek, Arabic or Dutch, translated alongside the original and anchored to the same lines, with romanisation for every script.
Drawn from the text and approved by your staff. Every mention becomes a way in: a person, a place, a year, a subject.
Engravings, diagrams and frontispieces are detected on the page and catalogued as images of their own, at full resolution.
Dublin Core and a DOI for every book, harvestable over OAI-PMH. The whole collection, connected and open.
Every book links to the people, places and subjects it shares with the others. One record each, all of them open.

An anthology of twenty-one alchemical treatises, printed at Frankfurt in 1678 as an enlarged edition of the 1625 original, with emblematic engravings throughout.
Generated from the text, approved by staff



Anything bound, folded or stitched with writing on it. Every specimen below is a page from a collection we publish, shown whole and at its own proportions.







The title page of the 1678 Hermetic Museum, as the pipeline leaves it: transcribed line by line, translated in place, romanised where the script needs it, and turned into a record. The film above shows the passes; this is the result on a real page.
Boxes are the OCR anchors on the title page. The lines toggle between Latin and English. Correct a line and the anchor holds.
Greek, Hebrew, Arabic, and the rest: original script, scholarly transliteration, or translation, switched at will.
Entities become fields, fields become records your systems can harvest over OAI-PMH.
Woodcuts, engravings, diagrams and maps are found on the page, cut out at full resolution and described, so a reader can search a collection by what its pictures show. Every one stays tied to the page it came from.
Emblem · found on the page
“This woodcut displays a sequence of 'hieroglyphs' designed by Francesco Colonna to be read as a moral sentence. It features the famous pairing of the dolphin and anchor, which symbolizes the motto 'Festina Lente' (make haste slowly), a core philosophical concept of the Italian Renaissance.”
Scans are served at the resolution they were made, over IIIF, so a plate opens in any viewer and a reader can go from the whole page to a single hatched stroke. Move over the page to look closer.
Maria Sibylla Merian, Metamorphosis Insectorum Surinamensium, Amsterdam 1705, hand-coloured plate.
Metamorphosis Insectorum Surinamensium1705 · engraving
Sphere of the World1490 · frontispiece
On the Praises of the Blessed Virgin Mary1473 · engraving
Illustrations of the book of Job1826 · engraving
Physiologia Kircheriana Experimentalis1680 · frontispiece
Prayer Book of Anne de Bretagne1492 · portrait
Fasciculus medicinae1494 · woodcut
Naeukeurige beschryving van de natuur der vi…1660 · engraving
Carceri d'Invenzione1761 · frontispiece
The Notebooks of Leonardo da Vinci1883 · diagram
Amphitheatre of Eternal Wisdom, 1702 MS1702 · emblemThe reader that runs our live collections, twenty thousand volumes and counting, with every tool a reader reaches for on the rail beside the page.



The reader as it runs today in a live collection, on the Ximénez manuscript of the Popol Vuh. Screenshots, not drawings.
Every book has a persistent identifier, so a reference to a page and a line resolves for good. A translation is published as an edition with a version label and its own DOI, minted through Zenodo; a corrected edition gets a new one, and the old reference still resolves to what was cited. Every line of transcription and translation keeps its revision history, so a scholar can see what changed, when, and by whom.
The reader, the catalogue and every book page take on your institution’s design and language. Below is the same manuscript page as three different institutions would publish it.

La fable nous represente la pucelle Hesione preste a etre devorée par un monstre marin, que Hercée delivre apres avoir tué ce dragon.
Fable represents to us the maiden Hesione ready to be devoured by a sea monster, whom Hercée delivers after having killed this dragon.
A box of scans, or a shelf we photograph. We publish that slice in full, so you can show your board what your own books look like open.