FOLIUM
Artifacts · Books & texts

Every book in your collection, open to read

The scans you already have, or scans we make. Each one becomes a page a reader can open in the browser, from any library, on any device.

02 · Transcription

Read line by line

Transcription tuned for early type, anchored to the scan. Every line can be checked against the page and corrected in place.

03 · Translation

In your reader’s language

Latin, Greek, Arabic or Dutch, translated alongside the original and anchored to the same lines, with romanisation for every script.

04 · Enrichment

Names, places, dates and a summary

Drawn from the text and approved by your staff. Every mention becomes a way in: a person, a place, a year, a subject.

05 · Illustrations

Every illustration, found and kept

Engravings, diagrams and frontispieces are detected on the page and catalogued as images of their own, at full resolution.

06 · Catalogue

One record, everything attached

Dublin Core and a DOI for every book, harvestable over OAI-PMH. The whole collection, connected and open.

07 · Collection

The whole collection, connected

Every book links to the people, places and subjects it shares with the others. One record each, all of them open.

Title page of the Musaeum Hermeticum, 1678
Scroll

What counts as a book

Anything bound, folded or stitched with writing on it. Every specimen below is a page from a collection we publish, shown whole and at its own proportions.

Musæum Hermeticum, Frankfurt 1678
Printed booksIncunabula to the nineteenth century, any type, any languageMusæum Hermeticum, Frankfurt 1678
Popol Vuh, Ximénez manuscript
ManuscriptsHands no OCR was trained on until recentlyPopol Vuh, Ximénez manuscript
Eck, Epistola, Ingolstadt 1543
Letters and tractsShort texts, often the rarestEck, Epistola, Ingolstadt 1543
Sermo physiologicus, Rinteln
DissertationsUniversity disputations and occasional printsSermo physiologicus, Rinteln
The Shaker Manifesto, 1883
PeriodicalsColumns, advertisements and running headsThe Shaker Manifesto, 1883
Shaker Music, 1875
MusicWords under the notes, and the score kept as an imageShaker Music, 1875
Flamel, Hieroglyphical Figures
TypescriptsPrivate translations and working copiesFlamel, Hieroglyphical Figures

One page, followed through

The title page of the 1678 Hermetic Museum, as the pipeline leaves it: transcribed line by line, translated in place, romanised where the script needs it, and turned into a record. The film above shows the passes; this is the result on a real page.

PASSES 2 & 3

Transcription anchored to the scan, translation in place

Boxes are the OCR anchors on the title page. The lines toggle between Latin and English. Correct a line and the anchor holds.

Anchored transcriptionLATINENGLISH
Musæum Hermeticum Reformatum et AmplificatumThe Hermetic Museum, Reformed and Enlarged
Omnes ſopho-ſpagyricæ artis diſcipulos fideliſſimè erudiens…Teaching all students of the Wise-Spagyric Art most faithfully…
Continens Tractatus Chimicos XXI. præſtantiſſimosContaining twenty-one most excellent chemical treatises
Francofurti, apud Hermannum à Sande, M DC LXXVIIIFrankfurt, printed by Hermann à Sande, 1678
PASS 3

Romanisation for every script

Greek, Hebrew, Arabic, and the rest: original script, scholarly transliteration, or translation, switched at will.

ΓΡROMANEN
Περì τῆς ἱερᾶς καì θείας τέχνης τῆς τοῦ χρυσοῦ ποιήσεως. Perì tês hierâs kaì theías téchnēs tês toû chrysoû poiḥseōs. On the sacred and divine art of the making of gold.
PASSES 4 & 5

Enrichment fills the catalogue

Entities become fields, fields become records your systems can harvest over OAI-PMH.

Printed at Frankfurt by Hermann à Sande in 1678, collecting treatises attributed to Michael Maier.
PERSON · Michael Maier PLACE · Frankfurt DATE · 1678 alchemyhermeticism

Every plate, found and kept

Woodcuts, engravings, diagrams and maps are found on the page, cut out at full resolution and described, so a reader can search a collection by what its pictures show. Every one stays tied to the page it came from.

A page of the Hypnerotomachia Poliphili, Venice 1499, with text above and below a woodcut of hieroglyphs Emblem · found on the page
Found automatically Found on page 46

Hypnerotomachia Poliphili, Venice 1499

“This woodcut displays a sequence of 'hieroglyphs' designed by Francesco Colonna to be read as a moral sentence. It features the famous pairing of the dolphin and anchor, which symbolizes the motto 'Festina Lente' (make haste slowly), a core philosophical concept of the Italian Renaissance.”

hieroglyphsRenaissance humanismvisual languageanchoreyerudderchest
Kind
Emblem, woodcut
Found
Where it sits on the page, recorded with the plate
Searchable by
Subject, symbol, figure and technique
Deep zoom

Close enough to see the engraver’s line

Scans are served at the resolution they were made, over IIIF, so a plate opens in any viewer and a reader can go from the whole page to a single hatched stroke. Move over the page to look closer.

Maria Sibylla Merian, Metamorphosis Insectorum Surinamensium, Amsterdam 1705, hand-coloured plate.

More plates, found in the pages
Hand-colored engraving of a pomegranate branch with fruit, flowers, caterpillars, and butterflies.Metamorphosis Insectorum Surinamensium1705 · engraving
An allegorical woodcut frontispiece showing Astronomia enthroned between Urania and Ptolemy, with celestial bodies above and a natural landscape below.Sphere of the World1490 · frontispiece
Engraving of the Virgin and Child by Martin Schongauer, showing Mary seated with the infant Jesus on her lap.On the Praises of the Blessed Virgin Mary1473 · engraving
Plate 14 from William Blake's 'Illustrations of the Book of Job', titled 'When the morning Stars sang together'. The central engraving depicts God surrounded by angels above Job and his companions in a cave, while the border contains vignettes of the six days of creation.Illustrations of the book of Job1826 · engraving
Frontispiece depicting the Museum Kircherianum in RomePhysiologia Kircheriana Experimentalis1680 · frontispiece
Anne of Brittany kneeling in prayer before an empty throne with a vision of the Virgin and Child.Prayer Book of Anne de Bretagne1492 · portrait
Hand-colored woodcut of a seated female anatomical figure, showing the internal organs and reproductive system.Fasciculus medicinae1494 · woodcut
A plate of mythical creatures including basilisks, a dragon, and seven-headed hydras.Naeukeurige beschryving van de natuur der vi…1660 · engraving
Frontispiece of Piranesi's 'Carceri d'Invenzione' showing a monumental prison interior with massive stone blocks and chains.Carceri d'Invenzione1761 · frontispiece
Leonardo da Vinci's Vitruvian Man, showing a male figure in two superimposed positions within a circle and square, accompanied by mirror-writing text.The Notebooks of Leonardo da Vinci1883 · diagram
Circular engraving of the Alchemist's Laboratory and OratoryAmphitheatre of Eternal Wisdom, 1702 MS1702 · emblem

The reading room your books end up in

The reader that runs our live collections, twenty thousand volumes and counting, with every tool a reader reaches for on the rail beside the page.

library.yourinstitution.org/book/popol-vuh
The reader on a desktop: scan, transcription and translation side by side
Desk: up to four panes side by side
The reader on a tablet
Tablet: one pane at a time, swipe between them
The reader on a phone
Phone: the scan, then the text below it

The reader as it runs today in a live collection, on the Ximénez manuscript of the Popol Vuh. Screenshots, not drawings.

The rail

Every tool where a reader expects it

  • Savepages, passages and whole books to an account
  • Sharea link that opens at this page, this pane, this line
  • CiteMLA, APA, BibTeX or RIS, with the DOI and the page
  • Downloadthe scan, the text or the translation as PDF, plain text or TEI
  • Contentsthe book’s own chapters, detected and titled in both languages
  • Guidea reading guide for the volume: what it is, why it matters, where to start
  • Searchinside this book, across the collection, in the original or in translation
  • Librarianask a question and get an answer that cites the page it came from
  • Settingstype size, line length and a dark room for long sessions
The scholarly side

Every page, citable for good

Every book has a persistent identifier, so a reference to a page and a line resolves for good. A translation is published as an edition with a version label and its own DOI, minted through Zenodo; a corrected edition gets a new one, and the old reference still resolves to what was cited. Every line of transcription and translation keeps its revision history, so a scholar can see what changed, when, and by whom.

  • DOI per editionMinted through Zenodo, with the holding library and the imprint in the record
  • Citation formatsMLA, APA, BibTeX and RIS from the rail, with page and line
  • Revision historyEvery OCR and translation line, with each earlier state kept
  • Open standardsIIIF for the images, OAI-PMH for the records, DTS for the texts, TEI for download

One book, published in your identity

The reader, the catalogue and every book page take on your institution’s design and language. Below is the same manuscript page as three different institutions would publish it.

Changing on its own; pick one to stop
An opening of a hand-coloured alchemical manuscript: handwritten French on the left, a winged figure in a golden sunburst on the right

Livre des figures hiéroglyphiques

Nicolas Flamel · manuscript, page 146

La fable nous represente la pucelle Hesione preste a etre devorée par un monstre marin, que Hercée delivre apres avoir tué ce dragon.

Fable represents to us the maiden Hesione ready to be devoured by a sea monster, whom Hercée delivers after having killed this dragon.

HesioneMercuryseven-headed dragonWoman of the Apocalypse
Your identityYour typefaces, colours and wordmark on every page, not ours.
Your languagesThe interface in the languages your visitors use, English, Dutch, German or any other.
Your addressOn your own domain, or embedded in the pages your website already has.
The same book underneathTranscription, translation, tags and record stay identical whichever identity it wears.
Books & texts

Send us a few books.

A box of scans, or a shelf we photograph. We publish that slice in full, so you can show your board what your own books look like open.